Monday, July 13, 2009
Saturday, April 11, 2009
The Goofy Stuff
ld soon realize that interior design was also space planning not just paint color and furniture.


I started painting on shards of found slate. Many of the old homes in our area had slate roofs, and as they fell into disrepair, were sadly demolished. Friends collected these bits and pieces for me. Each painted piece came with its own easel and I called the collection "Window Sill Art". My first residential commissions were on slate.

A neighbor inquired if I was willing to paint on cement. Come to find out she had an unsightly well tile and so it was up to me to cover it with faux rocks. The first rocks disappeared in the winter snows and, in that way, I learned to prime first! The next year's crop of rocks lasted just fine. I have since painted signs and even a rolling gun card for this same neighbor.

A former neighbor discovered a painting lying alongside the road that led to the dump. "Could it be valuable from a famous artist?" he asked. Although my knowledge of art history was limited I felt I could safely assure him it wasn't a discarded masterpiece so I offered to restore it. I tenderly cleaned it, enhanced the faded colors, and stuck it in a frame. Unfortunately I discovered that he didn't even like the painting and was just interested in its potential value. Oh well live and learn.
8/
Sunday, February 15, 2009
In Search of Chairs
During my artistic career I have painted a number of chairs. "Aunt Mim's Chair" was a sunny gold upholstered chair sitting in the corner of my aunt's home. "Out of the Weather" was a beat up relic left on the front porch of a shack somewhere in Montana. There was my girl friend's chair complete with her antique doll house. There were wicker chairs on the porch of Stoneledge Farm and a red chair for my son to hang in his dorm room. After all how could he get through school without one of my chairs! But never any people. "Why don't you put someone in the chair?" my cousin asked. That just wasn't a part of my artistic vision. The only people I have ever painted were my family, because they are not allowed to complain. Besides how could I have gotten them to pose in Aunt Mim's chair or somewhere in Montana?
But I do have a vested interest in chairs, not only to paint, but for my own use.
After years in a tiny Tampa condo, we moved to Pensacola. A large part of the incentive to move was that I would have my own studio. A whole room with just my stuff - everything but the kitchen sink. I wasn't in Pensacola to make the final purchase decision, but that studio sold me on the whole place sight unseen. I started collecting paint cards because my studio would definitely be decorated. A series of shelves were added to the closet. A drying rack was placed along one wall. I would also have a television and stereo. Time went on, color choices made and I was painting canvases again, not just walls.Wednesday, January 7, 2009
Art Lessons


Of course we are also creating gifts for the family. Their gifts for Dad were paperweights. I shrunk some of the girls' photos down to stamp size and they used mod podge to glue them on to the rocks. The only glitch was that the rocks were quite large. Oh well, it meant more pictures. And, should a hurricane hit their Dad's office, he is well prepared.
They have taught me much in this process as well. Once I was taking my four year old through the steps of creating a sea monster. Each one of the coils rose above the surface of the water giving the impression of a mighty beast. When the last coil was ready to put into place, she calmly informed me that she would rather put it on her balloon and did so. It has been a challenge for me to "not help". Even though I wanted the results to be wonderful, I've learned that is not the point.
Saturday, January 3, 2009
Persistence
Persistence will, eventually, get the job done. Case in point: the mural at our local Inn. As a kid I painted five foot daisies on the hall wall - no pressure there! The six inch grass was also a piece of cake. Another time I polka dotted my girl's bedroom walls with round red circles of contact paper. So I have a history of adventuresome decorating. The Inn is a totally different situation. The subject has to be recognizable - additionally it has to be a credit to a beautiful old building being gracefully restored.
The reference material came from our town history book. Years ago Labor Day was celebrated with parades and a band concert. As a former "summer person" turned "year rounder" I wonder if all the excitement was due to the annual departure of the summer residents!
The space is about eight feet wide covering two adjacent walls. It's bordered by a chair rail and well lit. Initially the corner of the composition was the most problematic. Once that was resolved the composition fell into place. Sure there are a few cases of "artistic license" but I'm not recreating the photograph.
The first day of work was very intimidating. I wanted to get something recognizable on the wall immediately. I traced over the design I had done at home with transfer paper. Ooooops, I forgot to gesso the wall first. Losing all that work was unacceptable. So I blocked in each area with tinted gesso. It looked like I knew what I was doing!
I photograph the results after each work session so I have something to study at home. So far the results are encouraging. It appears that, once again, persistence is working.








