Saturday, April 11, 2009

The Goofy Stuff

Years ago I took an extension course at the University. It was a three class program in Interior Design. As my readers may know, my personal design theory is eclectic. Actually the first time I heard that word was in Bloomingdale's Furniture Department. One particular design was referred to as "eclectic" but I thought the word was "neglectic". Being a mother of three small children I knew all about that "style". At any rate, I had a great interest in decorating and was thrilled to be taking the classes. One of my instructors shared that she had just received the commission of "doing" a restaurant. Initially I felt sorry that she was stuck decorating a "goofy restaurant". No bedrooms or living rooms, just dining rooms. In my youthful estimation, she belonged doing amazing homes that ended up in magazines. I would soon realize that interior design was also space planning not just paint color and furniture.




So in my own career "restaurants" have fallen into my lap. I rather thought I should be doing grand canvases. Instead began a long list of "goofy" stuff that has served me well.





I started painting on shards of found slate. Many of the old homes in our area had slate roofs, and as they fell into disrepair, were sadly demolished. Friends collected these bits and pieces for me. Each painted piece came with its own easel and I called the collection "Window Sill Art". My first residential commissions were on slate.

A neighbor inquired if I was willing to paint on cement. Come to find out she had an unsightly well tile and so it was up to me to cover it with faux rocks. The first rocks disappeared in the winter snows and, in that way, I learned to prime first! The next year's crop of rocks lasted just fine. I have since painted signs and even a rolling gun card for this same neighbor.
Another friend had a doll house business. I had no idea how complete doll houses had become right down to chandeliers. So, of course, they also needed original art. I started by painting the tiny furniture of a baby's room with bear designs. The wardrobe was my first effort when, suddenly from beneath my brush, emerged a rather dashing bear looking like he was sneaking off to the races. By the time I got to the crib my "bears" had settled into pastoral comfort. I painted a tiny screen to look like a fancy drape, a panoramic hope chest and a "fish" bench in addition to tiny framed paintings. It certainly schooled me in the art of making tiny details.




































A former neighbor discovered a painting lying alongside the road that led to the dump. "Could it be valuable from a famous artist?" he asked. Although my knowledge of art history was limited I felt I could safely assure him it wasn't a discarded masterpiece so I offered to restore it. I tenderly cleaned it, enhanced the faded colors, and stuck it in a frame. Unfortunately I discovered that he didn't even like the painting and was just interested in its potential value. Oh well live and learn.














Which brings us to the present. I am currently painting a shoe that is longer than I am tall, heavier than me, and, most definitely, unwearable. Watch for the installation on June 6th in Rochester, NH. This is, for certain, the goofiest thing yet!














8/

Sunday, February 15, 2009

In Search of Chairs

During my artistic career I have painted a number of chairs. "Aunt Mim's Chair" was a sunny gold upholstered chair sitting in the corner of my aunt's home. "Out of the Weather" was a beat up relic left on the front porch of a shack somewhere in Montana. There was my girl friend's chair complete with her antique doll house. There were wicker chairs on the porch of Stoneledge Farm and a red chair for my son to hang in his dorm room. After all how could he get through school without one of my chairs! But never any people. "Why don't you put someone in the chair?" my cousin asked. That just wasn't a part of my artistic vision. The only people I have ever painted were my family, because they are not allowed to complain. Besides how could I have gotten them to pose in Aunt Mim's chair or somewhere in Montana?

But I do have a vested interest in chairs, not only to paint, but for my own use.


After years in a tiny Tampa condo, we moved to Pensacola. A large part of the incentive to move was that I would have my own studio. A whole room with just my stuff - everything but the kitchen sink. I wasn't in Pensacola to make the final purchase decision, but that studio sold me on the whole place sight unseen. I started collecting paint cards because my studio would definitely be decorated. A series of shelves were added to the closet. A drying rack was placed along one wall. I would also have a television and stereo. Time went on, color choices made and I was painting canvases again, not just walls.




But I didn't have an easy chair. This condo was much larger than the last and our furniture didn't stretch as far. So down I went to the local furniture store where they just happened to have a sale. I chose a buff colored tub chair that swiveled. We hauled it home and it fit perfectly.


As fate would have it, we were to move again, this time back to my home in NH. We put on an addition for a larger studio this time. It was and is still a "pinch me" experience. What was an old outside deck area is now a hardwood floor, soaring ceilings, a sky light and plenty of shelves, racks, cupboards and drawers. My Pensacola chair would look just right.


But my husband didn't have a chair for his downstairs den. The budget was tight and it seemed only right to give him my studio chair. So I just dragged in a kitchen chair when the sun was perfect to sit and read. Prices were so high I just stopped looking.


My girlfriend and her brother were in charge of emptying an aunt's house after she had passed on. There, in the cool aisle of the barn among many yard sale items, sat a unique upholstered chair. It was a soft green, had a modest skirt and four buttons marching along the curving back. It had probably been a boudoir chair but that didn't matter to me. It "sat" good. How much would they want? I set a top price of $50 in my head - no high than that. It was only FIVE Dollars and they offered to deliver! Sold. We trucked it home, hauled it up the stairs and it now sits in my sunny window. I may even paint it someday.








So this is about perseverance and maintaining your artistic vision. In my paintings there will always be space available for you to "sit" down in your imagination. Should you venture to my studio, you are also welcome to sit in my $5 chair.




Wednesday, January 7, 2009

Art Lessons



Naturally my granddaughters are the very best, brightest and most talented kids! That being said, we can all use some further instructions in life. That's when my role as grandmother/art teacher began.




DOING stuff has always been interesting for me. Having two eager girls to join my adventures has been gratifying. Not being trained as a teacher, I looked for some guidance. Kumon Workbooks, which are available from the bookstore, offered brightly colored pictures to cut, paste and mazes to follow. The material was a great beginning.




It's been fun to see their personalities come out in their work. My six year old spends a great deal of time developing her work. She will also move further into the assignment and initiate experimentation. My four year old is very passionate. One sticker is never enough, rather she favors a pile format, one on top of another. Her color choice is very dramatic - black is her latest favorite.





Of course we are also creating gifts for the family. Their gifts for Dad were paperweights. I shrunk some of the girls' photos down to stamp size and they used mod podge to glue them on to the rocks. The only glitch was that the rocks were quite large. Oh well, it meant more pictures. And, should a hurricane hit their Dad's office, he is well prepared.



They have taught me much in this process as well. Once I was taking my four year old through the steps of creating a sea monster. Each one of the coils rose above the surface of the water giving the impression of a mighty beast. When the last coil was ready to put into place, she calmly informed me that she would rather put it on her balloon and did so. It has been a challenge for me to "not help". Even though I wanted the results to be wonderful, I've learned that is not the point.

Saturday, January 3, 2009

Persistence


One of my objectives in doing this blog is to remain true to my "Mission Statement". No wandering off course. Recently I posted "What's with all the cars and trucks?" It took me four tries until it posted. Sooooooo don't give up out there. Although
the layout is nothing to write home about - each successive try looked better.


Persistence will, eventually, get the job done. Case in point: the mural at our local Inn. As a kid I painted five foot daisies on the hall wall - no pressure there! The six inch grass was also a piece of cake. Another time I polka dotted my girl's bedroom walls with round red circles of contact paper. So I have a history of adventuresome decorating. The Inn is a totally different situation. The subject has to be recognizable - additionally it has to be a credit to a beautiful old building being gracefully restored.

The reference material came from our town history book. Years ago Labor Day was celebrated with parades and a band concert. As a former "summer person" turned "year rounder" I wonder if all the excitement was due to the annual departure of the summer residents!

The space is about eight feet wide covering two adjacent walls. It's bordered by a chair rail and well lit. Initially the corner of the composition was the most problematic. Once that was resolved the composition fell into place. Sure there are a few cases of "artistic license" but I'm not recreating the photograph.

The first day of work was very intimidating. I wanted to get something recognizable on the wall immediately. I traced over the design I had done at home with transfer paper. Ooooops, I forgot to gesso the wall first. Losing all that work was unacceptable. So I blocked in each area with tinted gesso. It looked like I knew what I was doing!

I photograph the results after each work session so I have something to study at home. So far the results are encouraging. It appears that, once again, persistence is working.